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    <loc>https://www.imagesinearlymodernbritain.org.uk/blog</loc>
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    <lastmod>2026-03-19</lastmod>
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  <url>
    <loc>https://www.imagesinearlymodernbritain.org.uk/blog/kissing-the-popes-foot</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/3f382ecd-4df9-4b2c-b7ae-4a4ecb7ba7e6/JMW+FP.jpg</image:loc>
      <image:title>Blog - Kissing the Pope’s Foot. - Make it stand out</image:title>
      <image:caption>Figure 1: Frontispiece. John Michael Wright’s Account of his Excellence Earl of Castlemaine’s Embassy to His Holiness Innocent XI (1687).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/587fb758-45f9-42e0-b708-05b78ab6dcdd/JMW+Carriage.jpg</image:loc>
      <image:title>Blog - Kissing the Pope’s Foot. - Make it stand out</image:title>
      <image:caption>Figure. 2: The lead carriage in Palmer’s entrance procession, from John Michael Wright’s Account of his Excellence Earl of Castlemaine’s Embassy to His Holiness Innocent XI (1687).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/e6361225-e70d-4891-93cb-7de5afdb0125/JMW+Papal+COA.jpg</image:loc>
      <image:title>Blog - Kissing the Pope’s Foot. - Make it stand out</image:title>
      <image:caption>Figure 3: The Papal Coat of Arms, from John Michael Wright’s Account of his Excellence Earl of Castlemaine’s Embassy to His Holiness Innocent XI (1687).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/8cf7cafb-4770-4fd4-8972-fa5c495e8108/Proud+Primacy+4.gif</image:loc>
      <image:title>Blog - Kissing the Pope’s Foot. - Make it stand out</image:title>
      <image:caption>Figure 4: Emperors kissing the Popes toe, from ‘The Proud Primacy of Popes’ in John Foxe, Acts and Monuments (1570).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/144bb1e2-b7d7-45d5-a6d1-941f17318287/Proud+Primacy+9.gif</image:loc>
      <image:title>Blog - Kissing the Pope’s Foot. - Make it stand out</image:title>
      <image:caption>Figure 5: Princes paying homage to the Pope, from ‘The Proud Primacy of Popes’ in John Foxe, Acts and Monuments (1570).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/77afec14-6ab7-4be3-9e80-41f74f155109/FoxeHenryVIII.jpg</image:loc>
      <image:title>Blog - Kissing the Pope’s Foot. - Make it stand out</image:title>
      <image:caption>Figure 6: Henry VIII triumphing over the pope, from in John Foxe, Acts and Monuments (1570).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/2e28e0b0-2ed4-48d9-a8e7-8ee181986543/Cranach+Kiss+Toe.JPG</image:loc>
      <image:title>Blog - Kissing the Pope’s Foot. - Make it stand out</image:title>
      <image:caption>Figure 7: Lucas Cranach, Passional Christi und Antichristi (1521).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/baab7b4e-83ea-48e2-92f4-e8ea9453b10a/Solemn+Mock+Procession.jpg</image:loc>
      <image:title>Blog - Kissing the Pope’s Foot. - Make it stand out</image:title>
      <image:caption>Figure 8: The Solemn Mock Procession of the Pope (1680). Copyright of the Trustees of the British Museum. Princes kiss the pope’s foot on the middle float in the bottom row.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/22f7920c-3b09-4bbf-a802-b2b0a4fe1b41/Contents+hats+Caps.jpg</image:loc>
      <image:title>Blog - Kissing the Pope’s Foot. - Make it stand out</image:title>
      <image:caption>Figure 9: The Contents: or, Hats for Caps (1680). Copyright of the Trustees of the British Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/0d50a5f7-a3d2-4310-beb6-c41b8461e51e/Days+of+Yore+1821.jpg</image:loc>
      <image:title>Blog - Kissing the Pope’s Foot. - Make it stand out</image:title>
      <image:caption>Figure 10: Days of Yore, Or a Peep into Futurity (1821). Copyright of the Trustees of the British Museum. George IV kisses the pope’s toe as fires of persecution rage in the background</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/9ae8b801-25b8-458c-a7b3-252a0485dd42/Doing+Homage.jpg</image:loc>
      <image:title>Blog - Kissing the Pope’s Foot. - Make it stand out</image:title>
      <image:caption>Figure 11: Doing Homage (c.1828-30). Copyright of the Trustees of the British Museum. Wellington (foreground) and Peel (behind) kiss the pope’s toe. Both hold rosaries. A satire mocking them for selling out England to the papacy by pursuing emancipation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.imagesinearlymodernbritain.org.uk/blog/teaching-with-images</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/b5516d00-3b5b-449b-8390-7dab5d92e93e/Foxe+Bonner.jpg</image:loc>
      <image:title>Blog - Teaching With Images. - Make it stand out</image:title>
      <image:caption>Figure 1: Edmund Bonner, in John Foxe’s Acts and Monuments (multiple editions from 1563).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/c1550501-1545-4aa0-b5a0-fe016554565c/Obama+New+Yorker+2008.webp</image:loc>
      <image:title>Blog - Teaching With Images. - Make it stand out</image:title>
      <image:caption>Figure 2: ‘Fistbump: the Politics of Fear’, The New Yorker, 21 July 2008.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/2ea141a2-edd5-4d71-9029-a9a3637b4afc/Lombart+Charles+I+and+Cromwell.png</image:loc>
      <image:title>Blog - Teaching With Images. - Make it stand out</image:title>
      <image:caption>Figure. 3: Pierre Lombart, ‘Charles I’ (after 1655). Copyright of the Trustees of the British Museum. 1935,0413.52 Figure. 4: Pierre Lombart, ‘Oliver Cromwell’ (after 1655). Copyright of the Trustees of the British Museum. 1935,0413.51.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/c70cf2f2-33a9-4cf9-862f-fa3a75fb1bc0/Titus+Oates.jpg</image:loc>
      <image:title>Blog - Teaching With Images. - Make it stand out</image:title>
      <image:caption>Figure. 5: Titus Oates. Copyright of the Trustees of the British Museum. 1902,1011.5289.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/c96c7788-ccf5-4851-8398-60f9ad97243a/Holbein+Henry+VIII+Liverpool+Art+Gallery.jpg</image:loc>
      <image:title>Blog - Teaching With Images. - Make it stand out</image:title>
      <image:caption>Figure. 6: After Hans Holbein, Henry VIII. Walker Art Gallery, Liverpool.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.imagesinearlymodernbritain.org.uk/blog/what-lies-beneath-seeing-prints-their-way</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/69879bef-2205-4f38-9bb3-72f348627a1e/Papists+Powder+Treason.jpg</image:loc>
      <image:title>Blog - What Lies Beneath? Seeing prints their way. - Make it stand out</image:title>
      <image:caption>Figure. 1. The Papists Powder Treason (1689). Copyright of the Trustees of the British Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/1e4d6d88-2d2e-4f69-81e1-d5ae980be660/Papists+Powder+Treason+detail+1.jpg</image:loc>
      <image:title>Blog - What Lies Beneath? Seeing prints their way. - Make it stand out</image:title>
      <image:caption>Figure 1 detail 1: The Armada scattered by the breath of God.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/fb5c2fcb-0cdc-44db-8a81-c000e0f9a1b0/Papists+Powder+Treason+detail+2.jpg</image:loc>
      <image:title>Blog - What Lies Beneath? Seeing prints their way. - Make it stand out</image:title>
      <image:caption>Figure 1 detail 2: The Gunpowder Plot exposed by the eye of God.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/497d32aa-bb30-4ee6-8be1-997b517db38b/Double+Deliverance.jpg</image:loc>
      <image:title>Blog - What Lies Beneath? Seeing prints their way. - Make it stand out</image:title>
      <image:caption>Figure 2: Samuel Ward, The Double Deliverance (1621). Copyright of the Trustees of the British Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/2928f338-310e-40bf-bec9-a8995a58d0f7/DD+detail.jpg</image:loc>
      <image:title>Blog - What Lies Beneath? Seeing prints their way. - Make it stand out</image:title>
      <image:caption>Figure 2 detail 1: The unholy conclave.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/2af18f3f-c34a-48f2-a4fa-7138f117fadf/Papists+Power+Treason+Huntingdon+Library.gif</image:loc>
      <image:title>Blog - What Lies Beneath? Seeing prints their way. - Make it stand out</image:title>
      <image:caption>Figure. 3: The Papists Powder Treason (1679; original 1612). Permission of the Huntingdon Library, San Marino, California.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/0c210c8e-9e40-4377-8b7d-9890a2f15029/No+Plot+No+Powder.jpg</image:loc>
      <image:title>Blog - What Lies Beneath? Seeing prints their way. - Make it stand out</image:title>
      <image:caption>Figure. 4: No Plot No Powder (1623). Copyright of the Trustees of the British Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/995a9d17-f0e0-44e1-b4bb-a1402715b343/title_page_to_history_of_the_defenders_of_thecatholic_faith%2C_by_christopher_lever_1951.11.523.jpg</image:loc>
      <image:title>Blog - What Lies Beneath? Seeing prints their way. - Make it stand out</image:title>
      <image:caption>Figure 5: Christopher Lever, History of the Defenders of the Catholique Faith (1627). Note also the scene at the top of Henry VIII trampling the papacy and other Catholic clergy under foot, a key theme of Tudor anti-Catholic iconography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/1c5e8c29-9861-4421-a0de-4b313b75e530/Novembris+Monstrum.jpg</image:loc>
      <image:title>Blog - What Lies Beneath? Seeing prints their way. - Make it stand out</image:title>
      <image:caption>Figure 6: Novembris Monstrum (1641). Copyright of the British Library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/fbaecb14-336f-4de5-9828-b9ac26d4d480/Happy+Instruments.jpg</image:loc>
      <image:title>Blog - What Lies Beneath? Seeing prints their way. - Make it stand out</image:title>
      <image:caption>Figure 7: The Happy Instruments of England’s Preservation (1681). Copyright of the Trustees of the British Museum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.imagesinearlymodernbritain.org.uk/blog/tee-hee-he-cruelty-amp-laughter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/045e4010-fd3c-4c00-b72b-edc751e292bf/Oratory.jpg</image:loc>
      <image:title>Blog - Tee Hee He: Cruelty &amp;amp; Laughter. - Make it stand out</image:title>
      <image:caption>John Bickham the Younger, The Oratory (1731). Copyright of the Trustees of the British Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/2bd3bdb2-0628-4417-90ca-37ecfcbd1c8f/Oratory+detail+1.jpg</image:loc>
      <image:title>Blog - Tee Hee He: Cruelty &amp;amp; Laughter. - Make it stand out</image:title>
      <image:caption>Detail 1. Henley as a quack.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/d376ed2a-02ab-4241-9243-2cc31ac0bee0/Oratory+detail+2.jpg</image:loc>
      <image:title>Blog - Tee Hee He: Cruelty &amp;amp; Laughter. - Make it stand out</image:title>
      <image:caption>Detail. 2. Paying to worship (background).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/f722954a-c4d5-487e-b39e-3e446e384ae9/Orator+medal.jpg</image:loc>
      <image:title>Blog - Tee Hee He: Cruelty &amp;amp; Laughter. - Make it stand out</image:title>
      <image:caption>Figure 2. One of the medals Henley issues to his congregation. Copyright of the Trustees of the British Museum. M.8232</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/3416c3b9-9e7f-4b7d-9949-b474f927c19f/Oratory+detail+3.jpg</image:loc>
      <image:title>Blog - Tee Hee He: Cruelty &amp;amp; Laughter. - Make it stand out</image:title>
      <image:caption>Detail 3.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.imagesinearlymodernbritain.org.uk/blog/hissing-at-the-bishop</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/3adb8adf-a7c9-431c-a6d0-71d20c0c3b68/Tartuffe+Banquet.jpg</image:loc>
      <image:title>Blog - Hissing At The Bishop - Make it stand out</image:title>
      <image:caption>Figure. 1. Tartuffe’s Banquet (1736). Copyright of the Trustees of the British Museum. CC,3.200.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/11a40372-bcb1-4382-ba97-27fd7691477f/Tartuffe+Banquet+detail+1.jpg</image:loc>
      <image:title>Blog - Hissing At The Bishop - Make it stand out</image:title>
      <image:caption>Tartuffe’s Banquet. Detail. 1.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/4cd18364-fb4c-46a5-8864-8f9359adc13f/Tartuffe+Banquet+detail+2.jpg</image:loc>
      <image:title>Blog - Hissing At The Bishop - Make it stand out</image:title>
      <image:caption>Tartuffe’s Banquet. Detail 2.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.imagesinearlymodernbritain.org.uk/blog/integrating-the-image-conference-report</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-03</lastmod>
  </url>
  <url>
    <loc>https://www.imagesinearlymodernbritain.org.uk/blog/integrating-the-image-conference-programme</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-04</lastmod>
  </url>
  <url>
    <loc>https://www.imagesinearlymodernbritain.org.uk/blog/seeing-what-they-saw-prints-amp-memory</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/8f5d65c4-cf7a-4aa2-ab39-b5d4027f3d45/Papists+Powder+Treason.jpg</image:loc>
      <image:title>Blog - Seeing What They Saw - Prints &amp;amp; Memory. - Make it stand out</image:title>
      <image:caption>The Papists Powder Treason (1689). Copyright of the Trustees of the British Museum,</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/fe2221ec-8b7a-487a-8ce7-dd2b1ecabfe0/Double+Deliverance.jpg</image:loc>
      <image:title>Blog - Seeing What They Saw - Prints &amp;amp; Memory. - Make it stand out</image:title>
      <image:caption>Fig 2. Samuel Ward, The Double Deliverance (Amsterdam, 1621). Copyright of the Trustees of the British Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/f11f0b00-91d8-416f-9cb3-d90aa1b06f1e/Powder+Treason.jpg</image:loc>
      <image:title>Blog - Seeing What They Saw - Prints &amp;amp; Memory. - Make it stand out</image:title>
      <image:caption>Fig. 3. Richard Smith, The Powder Treason (1615). Copyright of the Trustees of the British Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/fd5ee43c-4918-4bde-921b-1c4d3021e3d7/No+Plot+No+Powder.jpg</image:loc>
      <image:title>Blog - Seeing What They Saw - Prints &amp;amp; Memory. - Make it stand out</image:title>
      <image:caption>Fig. 4. No Plot No Powder (1623). Copyright of the Trustees of the British Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/a3c4aeed-ca07-4249-912b-10e78dfbf91e/title_page_to_history_of_the_defenders_of_thecatholic_faith%2C_by_christopher_lever_1951.11.523.jpg</image:loc>
      <image:title>Blog - Seeing What They Saw - Prints &amp;amp; Memory. - Make it stand out</image:title>
      <image:caption>Fig. 5. Christopher Lever, History of the Defenders of the Catholique Faith (1627).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/d3a63f8b-adae-49a8-a97e-3bc51181deb6/Happy+Instruments.jpg</image:loc>
      <image:title>Blog - Seeing What They Saw - Prints &amp;amp; Memory. - Make it stand out</image:title>
      <image:caption>Fig. 6. The Happy Instruments of England's Preservation (1681). Copyright of the Trustees of the British Museum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.imagesinearlymodernbritain.org.uk/blog/whats-it-all-about-then</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/b6ee407a-8fe4-40e1-ae1b-3e621694bc92/Isaac+the+famous+Grinner.png</image:loc>
      <image:title>Blog - What’s It All About, Then? - Make it stand out</image:title>
      <image:caption>Figure 1: Isaac the Famous Grinner (1711). Copyright of the Trustees of the British Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6659a7cc30c4be7bdd3cb3cf/646ce708-d318-47d6-80ec-5e0e35889df8/Bear-faced+Woman.png</image:loc>
      <image:title>Blog - What’s It All About, Then? - Make it stand out</image:title>
      <image:caption>Figure 2: Bear-faced Lady (c.1680-1700). Copyright of the Trustees of the British Museum.</image:caption>
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